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Morphestra Generation

Details
05 June 2014

MGLogo.fw_.pngeighing in at over 16GBs, MORPHESTRA GENERATIONS is a collection of 1600+ morphed Instruments & Multis derived entirely from true orchestral recordings. Created in association with Kirk Hunter Studios, MORPHESTRA GENERATIONS brings the original MORPHESTRA™ into a whole new generation of sound, creating a modern day virtual instrument that transcends ANY morphed orchestral/effectual sample library ever created.  Geared for film, TV, and game composers, MORPHESTRAGENERATIONS includes amazing ready-to-play psycho-acoustic sampled symphonic winds, strings, and percussive instruments and morphs them into a world where music and sound design collide. If you already own the original MORPHESTRA, you can easily upgrade to  MORPHESTRA GENERATIONS, which also includes all the original instruments and multis from MORPHESTRA 1.0. - See more at: http://goo.gl/rjkBCE

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Sample Logic has gone above and beyond traditional performance practices and recording techniques to create the new diverse instruments included in MORPHESTRA GENERATIONS. Strings, Brass, Woodwinds, Symphonic & World percussion, Voices, Guitars, Waterphones, Animals, Warehouses, Tools, Machinery, and a number of unique World instruments were recorded in the studio and as field recordings then manipulated using Sample Logic’s proprietary morphing and synthesis techniques to create new organic “never-before-heard” instruments and ensembles. All recordings were manipulated, morphed, and processed throughout the various stages of production, including the sampling phase, programming phase, and via the MORPHESTRA GENERATIONS real-time customizable user interface effects and parameters.


The MORPHESTRA GENERATIONS spectacular user interface was designed with the composer and sound designer in mind, providing effortless control for complete real-time customization. The core of MORPHESTRA GENERATIONS is focused around the user experience, providing the freedom to infinitely transform samples into awesome twisted evolving instruments with endless possibilities.

“Multi-core Effect Sequencers” for real-time effect automation
“Triggers” – 48 unique effect chains
“Arpeggigater” – sequencer based gate effect
“LFO” section to make things wobble
“Wave” – additive synthesis engine
“Pitch” sequencer for quick and easy pattern based transpositions on the fly
“Multi Script Macros” for real-time sequencing of instrument parameter controls

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Goth! for soundtracks makers

Details
01 June 2014

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GOTH is the first Virtual Instrument designed specifically for composers and producers who want to add modern Metal elements to films, movie trailers, television shows, promos, games, and other cinematic-style recording projects.
GOTH’s user interface is very easy to use with most functions accessible right from the main screen. Additional pages allow you to customize loops or rhythms.
Multi-Sampled Instruments

GOTH features a collection of multi-sampled Metal-style guitars, including mono Lead Guitars, huge double-tracked Stereo Guitars, and double-tracked Power Chord Guitar patches that velocity-switch between short chugs (mutes) and sustained power chords. There is also a killer Metal Bass, several heavy Distortion Basses, Dark and Lo-Fi Acoustic Pianos, and a 49-piece (!) Monster Metal Drum Kit.goth1.jpg

Construction Kit Multis

Goth features 20 extensive Performance Multi patches, each containing five Kontakt Loop-Players: one for guitar loops, one for bass loops, one for drum loops, one for Metal-style vocal effects and one for sound design elements such as drones, atmospheres, industrial rhythm loops, and cinematic impacts and risers.

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Hollowbody Electric Guitar

Details
31 May 2014

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HOLLOWBODY ELECTRIC GUITAR is a supremely versatile archtop electric guitar, perfectly suited for both clean and amped playing. Capable of styles ranging from jazz, funk, blues and R&B to rock, pop and more. Powered by and compatible with the free KONTAKT PLAYER plugin!
"A fabulous-sounding guitar captured to near-perfection with articulations and noises for supreme realism of performance." - 9/10, Computer Music July 2014.

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