Plug-In Suite
Three masterpieces in one edition - now online available
The Waldorf Attack is one of the most powerful and beloved drum synthesizers. The PPG Wave 2.V is the authentic reproduction of the legendary PPG Wave 2.3. The D-Pole is the famous Waldorf Filter. What do you get when this is packed into one box? Pure creativity! Now also for Intel Macs and as AudioUnits.

Three of the best-selling synthesizer and effect plug-ins, updated and optimized for the latest VST and AudioUnit host applications.

The Waldorf Edition features the famous and award-winning PPG Wave 2.V, Attack and D-Pole plug-ins as VST and AudioUnit variants for your latest Windows XP (32bit) or Mac OS X computers.

The Macintosh versions are Universal Binaries allowing you to run them on the latest Macintosh computers with Intel processors.

The Waldorf Edition contains the following plug-ins:

PPG Wave 2.V
PPG Wave 2.V is the reincarnation of a cult, which started back in 1982 and continues its life in modern Macintosh and Windows computers.

Attack
The Attack is a percussion synthesizer with a powerful virtual-analog synth engine. It seamlessly integrates the sound of the 80's analog classics and the ambitious electronic club drums of the 90's into the virtual instrument hosts of the 21st century. The Attack generates all its sounds in real time, giving you the freedom to alter all parameters directly.

D-Pole
The D-Pole is a musically versatile Filter Plug-In which offers the same powerful capabilities as the hardware equivalent. Now nothing prevents you from filtering your voice with no less than 5 filter types. Morph a simple acoustic drum loop into a biting groovy dance rhythm using the tempo-synchronizable LFO. Overdrive the signal up to +52dB. Get the vintage ring-modulated sound for really wild experiments and send it through the stereo delay, or reduce the sample rate of the signal until you only hear bleeps and clicks.

Ample Bass P aim to bring the Fender Precision Bass sound to your studio.
Sampling:
2851 Samples, Size: 3.60 GB, 24bit 44.1khz
DFD(Direct from disk)
Rich Fingering Noise - more vivid and realistic Each Cycle & Rhombic Sampling structure - Separate sample cycle for each note and vel layer to improve sample utilization
Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly
Technology:
Supports AU, VST, RTAS, AAX, AAX 64bit, Mac and Win, 32bit and 64bit
Amplesound's products are now Watermarked
New technology: Auto Buzz system
Groovy Single-Note bass line
Alternate Tuner & lowest to B
Slap & Sustain in one MIDI track
CPC(Customized Parameters Control), any button knob etc can be controlled by MIDI CC or Automation
Slide Smoother
Combined Keyswitches - combine 2 articulations via pressing 2 keyswitches at the same time
Open String First Function
Manual vibrato wheel designed specifically for string instruments
Capo Logic - Intelligent play according to guitar rules.
Tab Player:
The Tab Player can load and play several prevalent guitar\bass tablature file formats. Users can load, display and playback any specific track inside a tablature file. When used in DAWs, the Tab Player also allows users to export the tablature as an audio file.
The Tab Player supports all the fingering, looping, chords, articulations and other markers in the loaded tablature. Supported articulations include: Strum, Natural Harmonic, Artificial Harmonic, Hammer On/Pull Off, Trill, Bend, Tremolo Bar, Legato Slide, Slide In, Slide Out, Vibrato, Tremolo Picking, Palm Mute, Slapping, Popping, Tapping, Let Ring, Staccato, Dead Note, Grace Note, Ghost Note, Accentuated Note, Fade In, etc.
As a built-in function, the Tab Player works seamlessly with the Ample Sound instrument engine, which has extremely customized guitar playing logic so as to model a real world guitar being played. The Tab Player can even judge on its own to automatically add some refining articulations when it thinks it is appropriate, such as slapping on strings or body, or other realistic and indispensable noises.